Well – and forgive me if I repeat anything I’ve said before about this – the last time I saw Horslips was in the late 70s on their “American” Tour. They broke up two years later, and stayed broken up for the following 24 years.

I’d kept an eye on the unofficial .com website (I didn’t know it was unofficial at that time), but not frequently enough to discover they’d reformed for a one-off gig at an exhibition in Belfast – I only discovered this a year after the event (I’d have gone if I’d have known about it). Things went quiet again, and then – for the same reasons as before – I missed their 2009 and 2010 performances.
I would have missed this one as well if it wasn’t for the fact I skipped over to the official .ie site a few weeks before Christmas and saw the announcements. I know it doesn’t make me sound like a big fan not knowing all this, but for most of that 24 years of being broken up the last thing I expected was a reunion, and the only site I was aware of – the .com one – didn’t change one bit to reflect any of the subsequent developments.
But I have everything Horslips ever did – all the imports, and a few other bits & bobs. They were the first band I ever saw live (Birmingham Hippodrome, 1978), and I never thought I’d see them again. So this was something I was really looking forward to.
It’s impossible to describe the feeling when they came on stage – after 33 years (for me)!

I’d arrived in Glasgow at around 6:30, and the doors opened at 7:00, so I got right up to the stage (ironically, when I saw them in Birmingham all those years ago, I’d somehow got front row tickets for that, too). As usual, a lot of people didn’t turn up to see the support act – a female duo called Lumiere, who were rather good – so getting a good place was easy.
By the time Horslips were due on the place was packed.
The set was brilliant: they played a fair few songs from The Táin and The Book Of Invasions, but picked classics from most of the rest. It all still seemed so fresh, and Charles O’Connor’s fiddle along with Jim Lockhart’s flute were just perfect. The sound was great, and the guys seemed to be enjoying themselves.
The Glasgow Concert Halls site says:
While popular demand has prompted a few more appearances, the band have said they’re by way of a brief last hurrah, not a protracted comeback, so relive the moment while you can.
Horslips seemed truly taken aback by the strength of support last night. In fact, like all the best bands, they vastly underestimate their own popularity. I’m certain they could fill bigger venues than this if they tried.
In fact – and I was thinking this on the long drive to and from Glasgow last night (it was over 600 miles/11 hours on the road as a round trip) – you can’t help wonder at what might have been if whatever it was that caused the split back in 1980 hadn’t taken place and Horslips had gone on to crack America.
Still, I got some nice keep-sake photos and short videos which I’ll treasure forever (I just wish the lighting had been a bit better in the corner where Jim Lockhart was sitting!) Easily the best gig for a long, long time – and one which can never be beaten for a whole range of personal reasons.
This is how Supersuckers are described:
This was a blast from the past. I can remember him from when I was a kid, so it was great to know I’d get to see him play live. He still looks the same as he ever did, with his stand-up hair! He’s been in the game for more than 50 years now.
On the people watching front, there was no crowd surfing – as there was at the
Anyway, I’ve had this one booked for some time. My ticket agent did me the business and got me tickets. Not far from the stage, but seated.
Well, I checked out the pre-sale and there aren’t many decent seating locations available. The best was 29 rows back!
I used to listen to Smooth Radio, mainly because they used to play some classic rock, but its appalling technical problems drive me to distraction. Smooth specialises in dead silences, songs jumping from one to another, music and news playing at the same time, news just being 60 seconds of dead silence when you were specifically waiting for it (followed by adverts as if nothing untoward had just happened), and many many more besides.
As a result of this I started spending more time listening to BBC 5 Live. No music on there, but good for sport (when you want it) and listening to idiots on phone-in shows. But being on medium wave (MW) means you lose it if you go under a bridge, or find yourself listening to Radio Seychelles if you go near an overhead power cable. And it sounds like someone’s shooting at you with a machine gun if you go near a tramline or electrical substation (amazing how many of those there are hidden behind houses and other buildings).
Now, I’ve had a DAB radio at home for a couple of years. I don’t listen to radio much except in the car, but the Pure Evoke-2XT is excellent at getting me up in the morning. It is loud, and has an alarm. And it has Planet Rock.
I did some research, and in the end plumped for the Pure Highway DAB Radio and an external magnetic aerial (you get a stick on windscreen mounted one with the radio as standard). It also works as a portable DAB radio.